Showing posts with label feng xiaogang. Show all posts
Showing posts with label feng xiaogang. Show all posts

Apr 22, 2013

Feng Xiaogang (冯小刚) is probably the most commercially successful Chinese film director of the past decade. He's known in China for films such as romantic comedy If You are the One (非常勿扰) featuring actress Shu Qi (舒淇) as well as more serious historic dramas such as Aftershock (about the 1976 Tangshan earthquake) and Back to 1942 (about a major famine during war with Japan). 

Recently, Feng was honored as Director of the Year by the Chinese Film Director's Guild. During his acceptance speech, Feng took the opportunity to speak out against film censorship by China's State Administration of Radio, Film and Television (SARFT). Ironically, the Chinese word for censorship was censored out of the TV broadcast.  

Feng's censored speech (censored part at a bit over 3 minutes)

Feng has criticized the Chinese government's censorship previously and although he may believe he can get away with doing so since he's immensely famous and popular in China, it still takes some courage. Some of China's most famous and successful directors have had their films banned and been prevented from working in the past, including Zhang Yimou. 

A translation of Feng's speech includes the following: "A lot of times when you receive the order [from the censors], its so ridiculous that you don't know whether to laugh or cry, especially when you know something is good and you're forced to change it into something bad. Are Hollywood directors tormented the same way?" 

A few other Chinese directors have also criticized China's film censorship system, often objecting that its virtually impossible to know what will be censored any why. While there are certain topics that directors should know are clearly forbidden such Tibetan or Taiwanese independence or any direct criticism of the Chinese Communist Party, there are apparently no clear rules that SARFT follows in making individual censorship decisions and SARFT generally does not give any reason for its decisions. The Chinese government has recently decided to merge SARFT with the General Administration for Press and Publications although its unknown whether this will have any affect on censorship policies. 

While Chinese films can be difficult for Westerners to appreciate (even with English subtitles) due largely to cultural differences, I've enjoyed all of Feng Xiaogang's films that I've seen. My favorite is one of his lesser-known ones, Big Shot's Funeral (大碗), which stars American actor Donald Sutherland as well as Chinese actor Ge You (who's in almost all of Feng's films). I found it hilarious for its satiric portrayal of modern Chinese society and Hollywood. 

Jan 19, 2011

Wednesday, January 19, 2011
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The Chinese film industry has been growing dramatically in recent years although it is still quite small for a country with the world's second biggest economy and largest population. In 2010, box office income in China increased by 64% to reach U.S. $1.5 billion.

Hollywood still dominates the movies in most of the world as illustrated by the fact that Avatar was the biggest grossing film for 2010, taking in $204 million in China. However, there were a number of very successful Chinese films as well, led by Feng Xiaogang's (冯小刚) Aftershock which earned over $100 million. If you can find it with English subtitles, Aftershock (唐山大地震; Tángshān Dàdìzhèn) is well worth watching and is based on the true event of an earthquake with a fictional story about a family that suffered resulting personal aftershocks long after the earthquake ended.
Despite the positive growth in the Chinese film industry, the Chinese government realizes that the rate of growth is not close to equal to overall economic growth. A Washington Post article quotes a Chinese film bureau report stating that "A 10 billion yuan box office ... is still far from the value of a movie world power and is still far from keeping pace with the country's economic growth." The report is also quoted as saying:
"The variety of Chinese movies isn't rich enough. The development of genres still remains at the stage of simple imitation and duplication. It still lacks an improvement in creativity and localization ..." 
Hopefully this realization may further incentivize the Chinese government to take steps to help encourage growth of the Chinese film by reducing piracy and promoting a less restrictive environment for Chinese filmmakers. Despite significant challenges (piracy of movies on DVD and on the Internet, etc.), growth is sure to continue and the China Film Producers Association predicts that the Chinese film industry will become the world's second biggest worth about U.S. $6 billion by 2015. An extreme rate of growth would be needed for this prediction to come true, but its not impossible considering how great China's overall economic growth has been over the past several decades.

Aug 1, 2010

Aftershock Rocks China

Sunday, August 01, 2010
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No, thankfully not another earthquake in China - just a movie about one. While Hollywood blockbusters have been dominating most of Asia recently (Leonardo DiCaprio's Inception in Japan and Angelina Jolie's Salt in India), a Chinese blockbuster is setting box office records in mainland China since its release this past Thursday.  
Aftershocks (唐山大地震; Tángshān Dàdìzhèn) broke the record for opening day theater revenues by a Chinese film, earning about U.S. $5 million according to China's State Administration for Radio, Film and Television (SARFT). The previous opening day record was by Red Cliff’s (赤壁). Aftershock may have even broken the record for all films (Chinese and foreign) since its producer, Huayi Brothers (華誼兄弟), said it earned $5.32 million (which would have beaten Avatar's opening day earlier this year) and went on to earn $23.5 million in its opening weekend.
Aftershocks revolves around the devastating Tangshan earthquake of 1976 which resulted in over 240,000 deaths. The film's director, Feng Xiaogang, is no stranger to bringing in big bucks (or big yuan more accurately).  Feng's romantic comedy, If You Are The One, starring Ge You and Shu Qi, earned $46 million at the Chinese box office to top the market in 2008.

Aftershocks also holds the distinction of being the first non-English feature film converted to the IMAX format and China has rushed to open addition IMAX screens in anticipation.

Aftershocks is a prime illustration of the potential for continued growth of China's film industry which has been experiencing substantial recent growth. During the first 6 months of 2010, mainland China's gross box office revenue was $714 million and is expected to reach up to $1.5 billion by the end of the year. With a growing percentage of the Chinese population having discretionary income and wanting entertainment and a corresponding increase in the number of theaters in China (including mobile, digital projection facilities for rural areas), massive growth for the Chinese movie industry is likely to continue.

I haven't seen Aftershocks yet since it isn't available in any form in the U.S. so far, but I hope to see it in the near future and will try to post a review.